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Everybody Hurts

An Essential Guide to Emo Culture

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What is emo? For starters it's a form of melodic, confessional, or EMOtional punk rock. But emo is more than a genre of music–it's the defining counterculture movement of the '00s. EVERYBODY HURTS is a reference book for emo, tracing its angsty roots all the way from Shakespeare to Holden Caufield to today's most popular bands.

There's nothing new about that perfect chocolate and peanut butter combination––teenagers and angst. What is new is that emo is the first cultural movement born on the internet. With the development of early social networking sites like Make Out Club (whose mission is to unite "like–minded nerds, loners, indie rockers, record collectors, video gamers, hardcore kids, and artists through friendship, music, and sometimes even love") outcast teens had a place to find each other and share their pain, their opinions, and above all, their music–which wasn't available for sale at the local record store.

Authors Leslie Simon and Trevor Kelley lead the reader through the world of emo including its ideology, music, and fashion, as well as its influences on film, television, and literature. With a healthy dose of snark and sarcasm, EVERYBODY HURTS uses diagrams, illustrations, timelines, and step–by–step instructions to help the reader successfully achieve the ultimate emo lifestyle. Or, alternately, teach him to spot an emo kid across the mall in order to mock him mercilessly.

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    • Booklist

      April 1, 2007
      Simon and Kelley describe emo culture slyly in this perky lifestyle guide. Basically, emo is music made by a bunch of guys barely out of high school who are concerned with decidedly high school problems (heartbreak, friendship, etc.) more than with approachable hooks. Growing out of and away from increasingly insular punk rock, emo sets lyrics that are very often introspective and achey. Self-centered, whiny songs and introspective posing have been part of rock from the beginning (e.g., Tell Laura I Love Her, Jim Morrisons tortured--artist act), but with emo they are the center of a packaged subculture pitched to the preppiest of preps being punkish, lacrosse jocks who sing along to weepy acoustic anthems, and Long Island dudes who keep journals, cry in front of girls, and write the word art with a capital A. Simon and Kelley list movies, songs, fashions, and even eating habits to reveal what is and isnt emo. Theres a hint of satire in all this, which seems right, given the arch irony of the emo mind-set.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)

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  • English

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