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Moonlight on Linoleum

A Daughter's Memoir

ebook
1 of 1 copy available
1 of 1 copy available
Now in paperback—in the bestselling tradition of The Glass Castle and The Liar's Club comes the captivating memoir of a young girl forced by her mother's instability to care for her siblings.
Even if others abandon you, you must never abandon yourself.
This simple truth became Terry Helwig's lifeline as she was forced to grow up too soon.
Terry grew up the oldest of six girls in the big-sky country of the American Southwest, where she attended twelve schools in eleven years. Helwig's stepfather Davy, a good-hearted and loving man, proudly purchased a mobile home to enable his family to move more easily from one oil town to another, where Davy eked out a living in the oil fields.
Terry's mother, Carola Jean, a wild rose whose love often pierced those who tried to claim her, had little interest in the confines of home and motherhood. In Davy's absence, she sought companionship in local watering holes—a pastime she dubbed "visiting Timbuktu." She repeatedly left Terry in charge of the household and her five younger sisters.
Despite Carola Jean's genuine attempts to "better herself," her life spiraled ever downward as Terry struggled to keep the family whole. In the midst of transience and upheaval, Terry and her sisters forged an uncommon bond of sisterhood that withstood the erosion of Davy and Carola Jean's marriage. But ultimately, to keep her own dreams alive, Terry had to decide when to hold on to what she loved and when to let go.
Unflinching in its portrayal, yet told with humor and compassion, Terry Helwig's luminous memoir, Moonlight on Linoleum, explores a family's inner and outer landscapes of hope, despair, and redemption. It will make you laugh, cry, and hunger for more.
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    • Kirkus

      July 15, 2011

      A sometimes plodding, sometimes inspired chronicle of a daughter's transient childhood.

      Helwig begins and ends her meandering memoir at her mother Carola's gravesite, a place where redemption and closure temper jagged memories of years spent shouldering the burden of caretaking her five younger sisters while her truant mother succumbed to mental illness. A "raven-haired, hazel-eyed beauty," Carola became a child bride in 1948 at 14 in sleepy Glenwood, Iowa, giving birth to the author a year into her marriage while making ends meet writing jingles for grooming products. At 16, Carola suffered a nervous breakdown trying to juggle two daughters, farm life and marriage, so she divorced her husband and moved the family to Colorado to stay at her mother's house. It wasn't long before Davy, an oil driller, fell in love with and swiftly married her, bringing about third daughter Patricia. Helwig nimbly conveys her confusion when, at age 6, Carola inexplicably dumped her and sister Vicki off at their biological father's country home back in Iowa for the summer. Those "idyllic" months on the farm would turn into years before Carola returned, ushering them through an endless succession of cities, schools, the birth of two more girls and the adoption of cousin Nancy. As Helwig chronicles her unorthodox upbringing, her narrative suffers from a surfeit of detail and exposition that alternately decorates yet dilutes her cheerless childhood. Still, in growing up devoid of traditional parental affection and support, the author's depiction of her life and her mother's downward spiral toward parental fatigue is frank, and this sincerity refreshes the frequently rambling prose. Bearing the increasingly physical punishments and continually caretaking for her younger sisters while Carola drank at local bars, Helwig sadly reminisces on becoming "swallowed up by the grown-up world." However, "for a few precious moments," she reflects, "we actually felt like a normal family."

      A painful purging of demons that is more cathartic for the author than readers.

      (COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

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  • English

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