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Literature and the New Culture Wars

Triggers, Cancel Culture, and the Teacher's Dilemma

Audiobook
1 of 1 copy available
1 of 1 copy available
Can educators continue to teach troubling but worthwhile texts? Our current "culture wars" have reshaped the politics of secondary literature instruction. Due to a variety of challenges from both the left and the right-to language or subject matter, to potentially triggering content, or to authors who have been canceled-school reading lists are rapidly shrinking. For many teachers, choosing which books to include in their curriculum has become an agonizing task with political, professional, and ethical dimensions. In Literature and the New Culture Wars, Deborah Appleman calls for a reacknowledgment of the intellectual and affective work that literature can do, and offers ways to continue to teach troubling texts without doing harm. Rather than banishing challenged texts from our classrooms, she writes, we should be confronting and teaching the controversies they invoke. Her book is a timely and eloquent argument for a reasoned approach to determining what literature still deserves to be read and taught and discussed.
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    • Publisher's Weekly

      July 25, 2022
      Carleton College education professor Appleman (Words No Bars Can Hold) examines in this incisive study how “trigger warnings, cancel culture, and the #MeToo movement have reshaped the politics of teaching literature.” Referencing challenges to canonical works such as John Steinbeck’s Of Mice and Men, as well as recent controversies over cultural appropriation and sexual misconduct allegations against authors, Appleman argues that “texts that reproduce harmful social attitudes need to be interrogated, disrupted, and resisted,” but that educators should “consider how to avoid blanket banishment.” She also questions whether it is “reasonable to hold texts, written decades, even centuries ago, to 21st-century sensibilities and standards” and argues that “cancelling” objectionable books or individuals might hinder one’s “ability to inhabit and understand perspectives that are different from one’s own.” Discussing trigger warnings, Appleman contends that they may “keep people away from witnessing something they need to be aware of” and that “surprise, discomfort, sadness, even repulsion... may be required for the full impact and intent of certain texts.” Throughout, Appleman bolsters her arguments with candid reflections on how she has grappled with these issues in the classroom. This is an invigorating call for educators “to continue to teach challenging texts.”

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  • English

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